In part two of my thought-provoking interview with San Francisco Chronicle restaurant critic Soleil Ho, we dove right into how she thinks about restaurant criticism.
Soleil explained, "I like to think of restaurants as texts in the same way that you read a book and then you extrapolate upon who wrote the book, when did they write it, why did they write it, what did the audience think at the time? What does it say about society at the time? What kind of snapshot is it? You're really reading it for meaning, and I think restaurants, you can take the same way."
When she took the Chronicle job, Soleil announced that she was banning certain words from her reviews, including a widely used adjective like “ethnic.” “When you say ethnic restaurants, I would beg you, not you Ed, but people who are listening, to think about what kinds of restaurants you're including under that umbrella. Are only some restaurants under that umbrella or all restaurants, because don't we all have ethnicity?"
Soleil takes her responsibilities seriously. Very seriously. She was recently quoted as asking, ”What if I screw up and no one ever hires a queer woman of color for a role like this again?"
I asked her to expand on that worry. "I get...a lot of messages from young people, younger than me, who are coming up or who are just reading my work and find me inspiring. And so I take that to heart as something that tells me to tread lightly, to be honest with who I am, but to also make sure that the door is open even wider for them.”
To find out what other words and phrases Soleil refuses to use in her reviews, and why she gave a lukewarm review to the legendary Chez Panisse in Berkeley, you're just going to have to listen. It’ll be well worth your time to do so.
The full transcript for this episode can be found over here at Serious Eats: https://www.seriouseats.com/2019/08/special-sauce-soleil-ho-on-representation-in-food-media.html